Yayoi Kusama at the High Museum

Prolific Japanese artist Yayoi Kusama’s blockbuster Infinity Mirror show at the High Museum in Atlanta has just closed. In this stunning exhibition she fearlessly explores life and death, obliteration and preservation, singularity and multiplicity. Here are a few shots that capture a bit of the power of the show.

Zulu Social Aid & Pleasure Club

Since 1909 the Zulu Club has exuberantly turned Mardi Gras tradition upside down. Today their parade is a highlight of the carnival season. Their elaborate regalia are beautifully crafted and visually stunning. But the interpretation of their attire and use of blackface has become more fraught in 2019. Here are the official Zulu statement and two thoughtful articles that take a nuanced look at Zulu traditions:

Zulu press release February 13, 2019

Times-Picayune op ed February 16, 2019

New York Times article February 14, 2019

I shot most of these photos February 2, 2019 at the annual Flag Raising ceremony for the incoming Zulu King held this year in Algiers. The four dukes in the bottom row are from Mardi Gras day 2018. Their costumes show a strong linkage to the fabulous finery of the Mardi Gras Indians.

Two artists riff on an American architectural archetype

Mike Kelly envisioned ‘Mobile Homestead’ as an exact replica of his childhood home in Westland, Michigan. He described it as ‘every man’s home’ and a ‘typical house of the suburbs.’ Its final resting place at the Museum of Contemporary Art Detroit is hugely ironic - Midtown is nothing like the Detroit suburbs.

Mobile   Homestead  at MOCAD

Mobile Homestead at MOCAD

Doug Aitken created the ‘Mirage Detroit’ installation out of faceted mirror panels and placed it inside the historic State Savings Bank in downtown Detroit. Aitken deliberately replicated the simple form of the iconic American ranch house but with infinite reflections dissolving the boundaries of space and shape. Andi Watson collaborated with Aitken on the haunting lighting effects.

Mirage Detroit  in the historic State Savings Bank

Mirage Detroit in the historic State Savings Bank

Odili Donald Odita flags at Prospect.4 in New Orleans

African-born, Philadelphia-raised artist Odili Donald Odita created a series of flags for an installation that was part of Prospect.4 The Lotus in Spite of the Swamp.  Emblazoned with his signature geometric design and saturated colors these flags proudly flew over sites of significance for enslaved Africans and, later, civil rights struggles.

Presbytère

Presbytère

Dew Drop Inn | Mr Kenneth Jackson

Dew Drop Inn | Mr Kenneth Jackson

Roux Carré

Roux Carré

New Orleans Tribune | Esplanade Avenue

New Orleans Tribune | Esplanade Avenue

Homer Plessy Memorial

Homer Plessy Memorial

Ashé Cultural Center

Ashé Cultural Center

Algiers Ferry

Algiers Ferry

Cabildo

Cabildo

Dryades Market

Dryades Market

Congo Square | Armstrong Park

Congo Square | Armstrong Park

Frantz School

Frantz School

Algiers Point

Algiers Point

Dryades Street YMCA

Dryades Street YMCA

Le Musée de f.c.p.

Le Musée de f.c.p.

Prospect.4 Welcome Center

Prospect.4 Welcome Center

There were a couple of sites that did not have flags displayed when I tried to photograph them. Below are Dooky Chase and Sportsman's Corner.  The other site was Dillard University.

No flags.jpg